For the greats who made Leica’s name – HCB, Robert Frank, Josef Koudelka – it had nothing to do with status. It was all about an eye, and a camera discreet enough to service it. They were there, with a camera that allowed them access, and they had the vision to take that shot, at that time, and to subsequently find it in a contact sheet. That was “Leica Photography.”
It wasn’t about sharpness or resolution, or aspherical elements, or creamy bokeh or chromatic aberation or back focus or all the other nonsense we feel necessary to value when we fail to acknowledge the poverty of our vision."